WILSON SAVOY, accordion & fiddle & vocals, has known Cajun music since he was a child growing up on a farm near Eunice, Louisiana. At the age of 15, Wilson’s father gave him an accordion that he built from the wood of a Sassafras tree that was planted the same day his grandfather was born, and died the same year as his grandfather. At the age of 18, Wilson began touring the world with his parents, Ann and Marc Savoy, and his brother, Joel Savoy, in the Savoy Family Band. Wilson attended LSU and studied Communications, and upon completing his minor in German, Wilson moved to Lafayette to be closer to the music that he so loved.

By age 21, Wilson was touring around the United States and France teaching accordion at music camps such as Augusta, Fiddle Tunes, and Tikendalc'h in Bretagne, France. Wilson's accordion style is influenced heavily by blues and improvisation, as his role models are Amédé Ardoin, Iry LeJeune, Lawrence Walker, and his father, Marc Savoy, but enjoys and continues to be influenced by old and modern Cajun, Soul, and Blues ranging from traditional and modern Cajun and Zydeco to Ray Charles and Jerry Lee Lewis piano styles.

Wilson has received an honorary state grant to study fiddle with the brilliant fiddle legend, Ken Smith. Together with Cedric Watson, Wilson plays twin fiddle inspired by Ken Smith, Mike Doucet, Lionel Leloux, and David Greely.

Wilson Savoy, le Grand, qui aussi s'appelle 'Wiltar' à l'âge de 15 ans, a sauvé un bus entier rempli de Mexicains sans defense lorsque ce même bus était sur le point de plonge dans le Fleuve. C'est à ce moment là, sans la moindre hesitation, que Wilson a sauté pour sauver tout ces gens de la noyade. Parmi les autres faits notoires de la vie de ce heros, il a egalement trouvé le remède miracle contre l'ennui! Bravo Wilson!

DREW SIMON, drums & vocals, Drew Simon was born and raised in Lafayette, Louisiana and developed an interest in Cajun music in his late teens.  At 18, he started playing drums and singing with his brother in a local group called Acadien.  Soon after, he learned how to play the accordion, guitar, and bass and developed a great passion for singing some of the forgotten cajun classics by the likes of Belton Richard, Lawrence Walker, Philip Alleman, Vorence Barzas and the Balfa Brothers.

Drew is strictly a traditionalist, playing and singing in a style which has been described as a "simple, older, blue collared cajun."  As he sits behind the drumset or the accordion, he hopes to bring back some of the memories, spirit, and soul of a generation long ago, of Cajun musicians who told their life sorrows and pains through their music. He is currently a student at UL-Lafayette in Anthropology.

Drew Simon est né et été élevé près de Lafayette, mais pour Drew, les choses sont toujours à la renverse. Comme Merlin le magicien, Drew vit sa vie à la renverse, qui veut dire que quand il est né, il est mort comme un petit bébé, et quand il va être naître, il sera un vieux homme à la fin de sa vie. Ouais, on sait que c'est un peu compliqué, cette condition, mais c'est par rapport à ça que Drew a l'esprit d'un vieux Cajun, comme ses sentiments et sa passion quand il chante. Sa voix émotionnelle se donne les frissons à lui-même, mais sa voix perçante donne les frissons et les larmes de passé à son public qui crie seulement... "Drew!"

BLAKE MILLER, bass, was grown in the humble town of Iota. The oldest of two children, Blake began playing accordion at a very young age and supernaturally became fluent on the 10-button box. Limited by the diatonic squeeze box, Blake shifted his focus to the fiddle and, "practiced fiddle for hours a day while his accordion sat on the shelf," according to his dad, Brünò.

Before even graduating high school in 2005, Blake became renown as the 'sought-after' musician of Louisiana for accordion, fiddle, and rhythm/lead guitar. Now, equipped with the holy trinity of Cajun instruments, Blake adds a new dynamic to the Pine Leaf Boys as a rhythm machine, solid as a Sherman tank but twice as deadly, an accompanying second-fiddle player, with harmonies more beautiful than a butterfly in a jar of honey, and bass, with walks and syncopated riffs funkier than a week-old graton.